Publications

Monographs & catalogues

#FR “Perversions perverties : le carnavalesque, le congolesque“, in Jan Fabre : Folklore Sexuel Belge (2017-2018) Mer du Nord Sexuelle Belge (2018), cat. exp., Templon (Paris), à paraître.

#EN “Perverted Perversions: The Carnivalesque, the Congolesque“, in Jan Fabre: Sexual Belgian Folklore (2017-2018) Sexual Belgian North Sea (2018) , exh. cat., Templon (Paris), forthcoming.

#FR “Sous une peau abyssale“, in Pierre Ardouvin : Retour d’Abyssinie, cat. exp., Labanque (Béthune), à paraître.

#EN “Under an Abyssal Skin“, in Pierre Ardouvin: Return from Abyssinia, Labanque (Béthune), exh. cat., forthcoming.

#FR “Nous sommes des dieux et ferions bien d’y oeuvrer”, in Inventaire – Benjamin Sabatier – Inventaire, Jannink (Paris), à paraître.

#EN “We are gods and might as well get used to it”, in Inventory – Benjamin Sabatier – Inventory, Jannink (Paris), forthcoming.

#FR “Un entretien avec Amélie Bertrand”, in Violaine Boutet de Monvel, Clément Dirié, Pleased to meet you #2 – Amélie Bertrand, Semiose (Paris), 2016, pp. 4-11.

#FR “Dislocation : vers une sémiotique figurative libérée”, in Michael Joyce, Violaine Boutet de Monvel, Pau Waelder, Nathalie Leleu, Jay Murphy, Capture – Grégory Chatonsky, HYX (Orléans), 2011, pp. 11-17.

#FR La Multiplicité de l’espace dans l’oeuvre de Bill Viola (art vidéo), EUE (Saarbrücken), 2011, 112 p.

#FR “Le Passage du texte à l’image vidéo”, in Alain Georges Leduc, Annabelle Ténèze, Camille Debrabant, Ludovic Recchia, Violaine Boutet de Monvel, Actes du Colloque – Ni tout à fait la même, ni tout à fait une autre, ÉSAL – Musée de l’Image (Épinal), 2010, pp. 34-40.

Print & online magazines

#FR “Mika Rottenberg”, Esse arts + opinions (Montréal), no. 94 – Travail, automne 2018.

#EN “Mika Rottenberg”, Esse arts + opinions (Montreal), no. 94 – Labour, Autumn 2018.

#EN “Sabine Weiss: Les villes, la rue, l’autre (Centre Pompidou)”, www.aperture.org, September 2018.

#EN “Iván Argote: Deep Affection (Perrotin)”, Frieze (London), no. 197, September 2018.

#FR “Syndrome Prouvost (chronique anti langue de bois)”, Mouvement (Paris), no. 96, juillet-août 2018, p. 113.

#EN “Bouchra Khalili: Blackbboard (Jeu de Paume)”, www.aperture.org, July 2018.

#EN “Agnès Varda: UNE CABANE DE CINÉMA: La serre du Bonheur (Nathalie Obadia)”,  in ArtReview (London), vol. 70 no. 5, Summer 2018.

#EN “Tarik Kiswanson: Come, come, come of age (Fondation d’entreprise Ricard)”, www.frieze.com, April 2018; republished in Frieze (London), no. 195, May 2018, p. 209.

#EN “Maria Thereza Alves: Seeds of Change – New York: A Botany of Colonization (Michel Rein)”,  in ArtReview (London), vol. 70 no. 3, April 2018, p. 85.

#EN “David Goldblatt (Centre Pompidou)”, www.aperture.org, March 2018.

#EN “Sophie Calle: Beau doublé, Monsieur le marquis! (Musée de la Chasse)”, ArtReview (London), vol. 70 no. 2, March 2018, p. 94.

#EN “Around Town: Ryoji Ikeda, Heimo Zobernig, Marianne Mispelaëre, Petrit Halilaj, Tadashi Kawamata (Paris)”, www.frieze.com, January 2018; republished in Frieze (London), no. 193, March 2018, p. 194.

#EN “Miriam Cahn: devoir-aimer (Jocelyn Wolff)”, ArtReview (London), vol. 69 no. 6, September 2017, p. 125.

#EN “Ulla von Brandenburg: Two Times Seven (Art: Concept)”, ArtReview (London), vol. 69 no. 5, Summer 2017, p. 113.

#EN “Jesse Darling: Armes Blanches (Sultana)”, ArtReview (London), vol. 69 no. 4, May 2017, p. 104.

#EN “Jean-Luc Moulène: Ce fut une belle journée (Chantal Crousel)”, ArtReview (London), vol. 69 no. 2, March 2017, p. 99.

#EN “Mika Rottenberg (Palais de Tokyo)”, ArtReview (London), vol. 68 no. 7, October 2016, p. 122.

#EN Pure Fiction (Marian Goodman)”, ArtReview (London), vol. 68 no. 6, September 2016, p. 120.

#EN “Mungo Thomson: Why Does the World Exist? (Frank Elbaz)”, ArtReview (London), vol. 68 no. 5, Summer 2016, p. 126.

#EN “Daniel Dezeuze: Tableaux-valises et dessins (Daniel Templon)”, ArtReview (London), vol. 68 no. 2, March 2016, p. 103; republished in 50 Years – Galerie Daniel Templon, Daniel Templon (Paris), 2016, p. 918.

#EN “Roman Signer: Sculptures (Art: Concept)”, ArtReview (London), vol. 68 no. 1, January-February 2016, p. 136.

#EN “Imran Qureshi: Idea of Landscape (Thaddaeus Ropac)”, ArtReview (London), vol. 67 no. 9, December 2015, p. 111.

#EN “Julien Prévieux, Francisco Sobrino, Raphaël Zarka (Jousse Entreprise)”, ArtReview (London), vol. 67 no. 6, September 2015, p. 142.

#ENFor Real (Kamel Mennour)”, ArtReview (London), vol. 67 no. 5, Summer 2015, p. 128.

#EN “Takis: Champs magnétiques (Palais de Tokyo)”, Art Papers (Atlanta), vol. 39 no. 3, May-June 2015, p. 61.

#EN “Gonzalo Lebrija: Unfolded (Laurent Godin)”, ArtReview (London), vol. 67 no. 4, May 2015, p. 149.

#EN “Mathieu Mercier: Sexe, béatitude et logique comptable (mcf-michèle didier)”, ArtReview (London), vol. 67 no. 3, April 2015, p.105.

#EN “Laurent Grasso: Soleil Double (Perrotin)”, ArtReview Asia (London), vol. 3 no. 1, Spring 2015, p. 102.

#EN “Enrique Ramírez: Los durmientes (Palais de Tokyo)”, ArtReview (London), vol. 67 no. 1, January-February 2015, p. 147.

#EN “In Search of Lost Time: The Little Madeleines of Latifa Echakhch“, ArtReview (London), vol. 66 no. 7, October 2014, pp. 98-103.

#EN “Hiroshi Sugimoto: Aujourd’hui, le monde est mort [Lost Human Genetic Archive] (Palais de Tokyo)”, ArtReview Asia (London), vol. 2 no. 2, Autumn-Winter 2014, p. 105.

#EN “Festival International d’Art de Toulouse”, ArtReview (London), vol. 66 no. 6, September 2014, p. 190.

#EN “Benjamin Sabatier: Storage (Jousse Entreprise)”, ArtReview (London), vol. 66 no. 5, Summer 2014, p. 166.

#EN “Bill Viola (Grand Palais)”, ArtReview (London), vol. 66 no. 4, May 2014, p. 111.

#EN “Sarkis: Au commencement le blanc (Nathalie Obadia)”, ArtReview (London), vol. 66 no. 3, April 2014, p. 127.

#EN “Morgane Tschiember: Polystyrene, Shibari & Co. (Loevenbruck)”, ArtReview (London), vol. 66 no. 2, March 2014, p. 136.

#EN “Carsten Höller: With (Air de Paris)”, ArtReview (London), no. 70, September 2013, p. 163.

#EN “Closure of Jérôme de Noirmont Galerie, and beyond”, ArtReview (London), no. 69, Summer 2013, p. 149.

#EN “Marjane Satrapi: Peintures (Jérôme de Noirmont)”, ArtReview (London), no. 68, May 2013, pp. 122-123.

#EN “Julie Mehretu: Mind Breath and Beat Drawings (Marian Goodman)”, ArtReview (London), no. 67, April 2013, pp. 150-151.

#EN “Paul Kos: Allegories and Metaphors (Georges-Philippe & Nathalie Vallois)”, ArtReview (London), no. 66, March 2013, pp. 152-153.

#EN “Laurent Grasso: Uraniborg (Jeu de Paume)”, ArtReview (London), no. 62, October 2012, pp. 168-169.

#EN “Haim Steinbach: Navy Legacy (Laurent Godin)”, ArtReview (London), no. 60, Summer 2012, pp. 148-149.

#EN “Michel Blazy: Débordement Domestique (Art: Concept)”, ArtReview (London), no. 59, May 2012, pp. 130-131.

#EN “Tadashi Kawamata: Under the Water (Kamel Mennour)”, ArtReview (London), no. 58, April 2012, pp. 118-119.

#EN “Stefan Brüggemann: Joke and Definition Paintings (Yvon Lambert)”, ArtReview (London), no. 57, March 2012, pp. 128-129.

#EN “Arnulf Rainer: Surpeintures (Maison de Victor Hugo)”, ArtReview (London), no. 56, January-February 2012, pp. 130-131.

#EN “Robin Meier & Ali Momeni: The Tragedy of the Commons (Palais de Tokyo)”, ArtReview (London), no. 53, October 2011, pp. 146-148.

#EN “Seth Price: Miam! (Chantal Crousel)”, ArtReview (London), no. 51, Summer 2011, p. 170.

#FR “L’Art numérique dans le marché de l’art contemporain”, Digitalarti (Paris), no. 6, printemps 2011, pp. 28-29.

#EN “Digital Art in the Contemporary Art Market”, Digitalarti (Paris), no. 6, Spring 2011, pp. 28-29.

#EN “Eija-Liisa Ahtila: The Annunciation (Marian Goodman)”, ArtReview (London), no. 48, March 2011, p. 136.

#EN “Jacques Perconte, the Digital Image, and the Sublime”, Digitalarti (Paris), no. 2, Spring 2010, pp. 26-27.

#EN “Stéfane Perraud: Sic Vita (Numeriscausa)”, ArtReview (London), no. 35, October 2009, p. 140.

#EN “Lionel Estève: How to Lie (Perrotin)”, ArtReview (London), no. 33, Summer 2009, p. 140.

#EN “François Morellet: Deep Dark Light Blue and Neons by Accident (Kamel Mennour)”, ArtReview (London), no. 32, May 2009, p. 127.

#EN “Interview with Dan Graham: Being and Nothingness”, Flash Art (Milan), no. 265, March-April 2009, pp. 56-59.

#EN “Raymond Depardon & Paul Virilio: Terre Natale (Fondation Cartier)”, ArtReview (London), no. 30, March 2009, p. 141.

#EN “Virginie Yassef: La seconde est partie la première (Jeu de Paume)”, Flash Art (Milan), no. 262, October 2008, p. 139.

#EN “Reena Spaulings: Courbet Your Enthusiasm (Chantal Crousel)”, ArtReview (London), no. 26, October 2008, p. 165.

#EN “Jörg Lozek: Im Zimmer (Daniel Templon)”, ArtReview (London), no. 25, September 2008, p. 151.

#EN “Uwe Henneken: Légion Troublée (Almine Rech)”, ArtReview (London), no. 24, July-August 2008, p. 136.

#EN “Tatiana Trouvé: A Rock and a Hard Place”, ArtReview (London), no. 23, June 2008, pp. 96-101.

#EN “Maïder Fortuné: Whispering in Distant Chambers (Martine Aboucaya)”, ArtReview (London), no. 23, June 2008, p. 159.

#EN “Iván Navarro: Antifurniture (Daniel Templon)”, ArtReview (London), no. 22, May 2008, p. 144; republished in 50 Years – Galerie Daniel Templon, Daniel Templon (Paris), 2016, p. 743.

#FR “Grégory Chatonsky : L’invention de la destruction (Numeriscausa)”, www.paris-art.com, April 2008.

#EN “Gérard Garouste: La Bourgogne, la famille et l’eau tiède (Daniel Templon)”, Flash Art (Milan), no. 259, March-April 2008, pp. 138-139; republished in 50 Years – Galerie Daniel Templon, Daniel Templon (Paris), 2016, p. 740.

#FR “Tacita Dean : Human Treasure (Marian Goodman)”, Artpress (Paris), no. 340, décembre 2007, p. 86.

#EN “Interview with Dan Graham: Minimalism Against Minimalism”, Esse arts + opinions (Montreal), no. 61, Autumn 2007, pp. 46-53.

#FR “Promenade à New York (Chelsea, Midtown, Upper East Side)”, Artpress (Paris), no. 333, avril 2007, pp. 78-79.

#FR “Promenade à New York (Midtown)”, Artpress (Paris), no. 331, février 2007, pp. 79-80.

#FR “Anri Sala : Long Sorrow (Chantal Crousel)”, Artpress (Paris), no. 326, septembre 2006, pp. 82-83.

Exhibition brochures

#FR “Paul Kos : Paysages cinétiques”, Georges-Philippe & Nathalie Vallois (Paris), janvier-mars 2018.

#EN “Paul Kos: Kinetic Landscapes”, Georges-Philippe & Nathalie Vallois (Paris), January-March 2018.

#EN “Jens Fänge: Sister Feelings”, Perrotin (Hong Kong), January-March 2017.

#FR “Erró : Peintures de 1959 à 2016”, Perrotin (New York), mars-avril 2016.

#EN “Erró: Paintings from 1959 to 2016”, Perrotin (New York), March-April 2016.

#EN “Chung Chang-Sup: Meditation”, Perrotin (New York), November-December 2015.

#FR “Hernan Bas : Fruits et fleurs”, Perrotin (Paris), octobre-décembre 2015.

#EN “Hernan Bas: Fruits and Flowers”, Perrotin (Paris), October-December 2015.

#EN “Daniel Arsham: Fictional Archeology”, Perrotin (Hong Kong), September-October 2015.

#EN “Pieter Vermeersch”, Perrotin (Hong Kong), July-August 2015.

#FR “Stéfane Perraud : Aux abords de la vallée”, de Roussan (Paris), mai-juillet 2015.

#EN “Stéfane Perraud: On the outskirts of the valley”, de Roussan (Paris), May-July 2015.

#EN “Park Seo-Bo: Ecriture”, Perrotin (New York), May-July 2015; republished by Perrotin (Hong Kong), March-May 2016.

Personal websites

#FR “Benjamin Sabatier : Be it yourself ! Qu’est-ce que c’est ?”, www.ibk.fr, 2010.

#EN “Benjamin Sabatier: Be it yourself! What is it?”, www.ibk.fr, 2010.