Publications

Monographs & research

“We are gods and might as well get used to it”, in Inventaire – Benjamin Sabatier, Jannink (Paris), forthcoming.

“Nous sommes des dieux et ferions bien d’y oeuvrer”, in Inventaire – Benjamin Sabatier, Jannink (Paris), à paraître.

“Un entretien avec Amélie Bertrand”, in Violaine Boutet de Monvel, Clément Dirié, Pleased to meet you #2 – Amélie Bertrand, Semiose (Paris), 2016, pp. 4-11.

“Dislocation : vers une sémiotique figurative libérée”, in Michael Joyce, Violaine Boutet de Monvel, Pau Waelder, Nathalie Leleu, Jay Murphy, Capture – Grégory Chatonsky, HYX (Orléans), 2011, pp. 11-17.

La Multiplicité de l’espace dans l’oeuvre de Bill Viola (art vidéo), EUE (Saarbrücken), 2011, 112 p.

“Le Passage du texte à l’image vidéo”, in Alain Georges Leduc, Annabelle Ténèze, Camille Debrabant, Ludovic Recchia, Violaine Boutet de Monvel, Actes du Colloque – Ni tout à fait la même, ni tout à fait une autre, ÉSAL – Musée de l’Image (Épinal), 2010, pp. 34-40.

Art magazines

“Miriam Cahn: devoir-aimer (Jocelyn Wolff)”, ArtReview (London), vol. 69 no. 6, September 2017, p. 125.

“Ulla von Brandenburg: Two Times Seven (Art: Concept)”, ArtReview (London), vol. 69 no. 5, Summer 2017, p. 113.

“Jesse Darling: Armes Blanches (Sultana)”, ArtReview (London), vol. 69 no. 4, May 2017, p. 104.

“Jean-Luc Moulène: Ce fut une belle journée (Chantal Crousel)”, ArtReview (London), vol. 69 no. 2, March 2017, p. 99.

“Mika Rottenberg (Palais de Tokyo)”, ArtReview (London), vol. 68 no. 7, October 2016, p. 122.

Pure Fiction (Marian Goodman)”, ArtReview (London), vol. 68 no. 6, September 2016, p. 120.

“Mungo Thomson: Why Does the World Exist? (Frank Elbaz)”, ArtReview (London), vol. 68 no. 5, Summer 2016, p. 126.

“Daniel Dezeuze: Tableaux-valises et dessins (Daniel Templon)”, ArtReview (London), vol. 68 no. 2, March 2016, p. 103; republished in 50 Years – Galerie Daniel Templon, Daniel Templon (Paris), 2016, p. 918.

“Roman Signer: Sculptures (Art: Concept)”, ArtReview (London), vol. 68 no. 1, January-February 2016, p. 136.

“Imran Qureshi: Idea of Landscape (Thaddaeus Ropac)”, ArtReview (London), vol. 67 no. 9, December 2015, p. 111.

“Julien Prévieux, Francisco Sobrino, Raphaël Zarka (Jousse Entreprise)”, ArtReview (London), vol. 67 no. 6, September 2015, p. 142.

For Real (Kamel Mennour)”, ArtReview (London), vol. 67 no. 5, Summer 2015, p. 128.

“Takis: Champs magnétiques (Palais de Tokyo)”, Art Papers (Atlanta), vol. 39 no. 3, May-June 2015, p. 61.

“Gonzalo Lebrija: Unfolded (Laurent Godin)”, ArtReview (London), vol. 67 no. 4, May 2015, p. 149.

“Mathieu Mercier: Sexe, béatitude et logique comptable (mcf-michèle didier)”, ArtReview (London), vol. 67 no. 3, April 2015, p.105.

“Laurent Grasso: Soleil Double (Perrotin)”, ArtReview Asia (London), vol. 3 no. 1, Spring 2015, p. 102.

“Enrique Ramírez: Los durmientes (Palais de Tokyo)”, ArtReview (London), vol. 67 no. 1, January-February 2015, p. 147.

“In Search of Lost Time: The Little Madeleines of Latifa Echakhch“, ArtReview (London), vol. 66 no. 7, October 2014, pp. 98-103.

“Hiroshi Sugimoto: Aujourd’hui, le monde est mort [Lost Human Genetic Archive] (Palais de Tokyo)”, ArtReview Asia (London), vol. 2 no. 2, Autumn-Winter 2014, p. 105.

“Festival International d’Art de Toulouse”, ArtReview (London), vol. 66 no. 6, September 2014, p. 190.

“Benjamin Sabatier: Storage (Jousse Entreprise)”, ArtReview (London), vol. 66 no. 5, Summer 2014, p. 166.

“Bill Viola (Grand Palais)”, ArtReview (London), vol. 66 no. 4, May 2014, p. 111.

“Sarkis: Au commencement le blanc (Nathalie Obadia)”, ArtReview (London), vol. 66 no. 3, April 2014, p. 127.

“Morgane Tschiember: Polystyrene, Shibari & Co. (Loevenbruck)”, ArtReview (London), vol. 66 no. 2, March 2014, p. 136.

“Carsten Höller: With (Air de Paris)”, ArtReview (London), no. 70, September 2013, p. 163.

“Closure of Jérôme de Noirmont Galerie, and beyond”, ArtReview (London), no. 69, Summer 2013, p. 149.

“Marjane Satrapi: Peintures (Jérôme de Noirmont)”, ArtReview (London), no. 68, May 2013, pp. 122-123.

“Julie Mehretu: Mind Breath and Beat Drawings (Marian Goodman)”, ArtReview (London), no. 67, April 2013, pp. 150-151.

“Paul Kos: Allegories and Metaphors (Georges-Philippe & Nathalie Vallois)”, ArtReview (London), no. 66, March 2013, pp. 152-153.

“Laurent Grasso: Uraniborg (Jeu de Paume)”, ArtReview (London), no. 62, October 2012, pp. 168-169.

“Haim Steinbach: Navy Legacy (Laurent Godin)”, ArtReview (London), no. 60, Summer 2012, pp. 148-149.

“Michel Blazy: Débordement Domestique (Art: Concept)”, ArtReview (London), no. 59, May 2012, pp. 130-131.

“Tadashi Kawamata: Under the Water (Kamel Mennour)”, ArtReview (London), no. 58, April 2012, pp. 118-119.

“Stefan Brüggemann: Joke and Definition Paintings (Yvon Lambert)”, ArtReview (London), no. 57, March 2012, pp. 128-129.

“Arnulf Rainer: Surpeintures (Maison de Victor Hugo)”, ArtReview (London), no. 56, January-February 2012, pp. 130-131.

“Robin Meier & Ali Momeni: The Tragedy of the Commons (Palais de Tokyo)”, ArtReview (London), no. 53, October 2011, pp. 146-148.

“Seth Price: Miam! (Chantal Crousel)”, ArtReview (London), no. 51, Summer 2011, p. 170.

“Digital Art in the Contemporary Art Market”, Digitalarti (Paris), no. 6, Spring 2011, pp. 28-29.

“L’Art numérique dans le marché de l’art contemporain”, Digitalarti (Paris), no. 6, printemps 2011, pp. 28-29.

“Eija-Liisa Ahtila: The Annunciation (Marian Goodman)”, ArtReview (London), no. 48, March 2011, p. 136.

“Jacques Perconte, the Digital Image, and the Sublime”, Digitalarti (Paris), no. 2, Spring 2010, pp. 26-27.

“Stéfane Perraud: Sic Vita (Numeriscausa)”, ArtReview (London), no. 35, October 2009, p. 140.

“Lionel Estève: How to Lie (Perrotin)”, ArtReview (London), no. 33, Summer 2009, p. 140.

“François Morellet: Deep Dark Light Blue and Neons by Accident (Kamel Mennour)”, ArtReview (London), no. 32, May 2009, p. 127.

“Interview with Dan Graham: Being and Nothingness”, Flash Art (Milan), no. 265, March-April 2009, pp. 56-59.

“Raymond Depardon & Paul Virilio: Terre Natale (Fondation Cartier)”, ArtReview (London), no. 30, March 2009, p. 141.

“Virginie Yassef: La seconde est partie la première (Jeu de Paume)”, Flash Art (Milan), no. 262, October 2008, p. 139.

“Reena Spaulings: Courbet Your Enthusiasm (Chantal Crousel)”, ArtReview (London), no. 26, October 2008, p. 165.

“Jörg Lozek: Im Zimmer (Daniel Templon)”, ArtReview (London), no. 25, September 2008, p. 151.

“Uwe Henneken: Légion Troublée (Almine Rech)”, ArtReview (London), no. 24, July-August 2008, p. 136.

“Tatiana Trouvé: A Rock and a Hard Place”, ArtReview (London), no. 23, June 2008, pp. 96-101.

“Maïder Fortuné: Whispering in Distant Chambers (Martine Aboucaya)”, ArtReview (London), no. 23, June 2008, p. 159.

“Iván Navarro: Antifurniture (Daniel Templon)”, ArtReview (London), no. 22, May 2008, p. 144; republished in 50 Years – Galerie Daniel Templon, Daniel Templon (Paris), 2016, p. 743.

“Gérard Garouste: La Bourgogne, la famille et l’eau tiède (Daniel Templon)”, Flash Art (Milan), no. 259, March-April 2008, pp. 138-139; republished in 50 Years – Galerie Daniel Templon, Daniel Templon (Paris), 2016, p. 740.

“Tacita Dean : Human Treasure (Marian Goodman)”, Artpress (Paris), no. 340, décembre 2007, p. 86.

“Interview with Dan Graham: Minimalism Against Minimalism”, Esse arts + opinions (Montreal), no. 61, Autumn 2007, pp. 46-53.

“Promenade à New York (Chelsea, Midtown, Upper East Side)”, Artpress (Paris), no. 333, avril 2007, pp. 78-79.

“Promenade à New York (Midtown)”, Artpress (Paris), no. 331, février 2007, pp. 79-80.

“Anri Sala : Long Sorrow (Chantal Crousel)”, Artpress (Paris), no. 326, septembre 2006, pp. 82-83.

Exhibition texts

“Jens Fänge: Sister Feelings”, Galerie Perrotin (Hong Kong), January-March 2017.

“Erró : Peintures de 1959 à 2016”, Galerie Perrotin (New York), mars-avril 2016.

“Erró: Paintings from 1959 to 2016”, Galerie Perrotin (New York), March-April 2016.

“Chung Chang-Sup: Meditation”, Galerie Perrotin (New York), November-December 2015.

“Hernan Bas : Fruits et fleurs”, Galerie Perrotin (Paris), octobre-décembre 2015.

“Hernan Bas: Fruits and Flowers”, Galerie Perrotin (Paris), October-December 2015.

“Daniel Arsham: Fictional Archeology”, Galerie Perrotin (Hong Kong), September-October 2015.

“Pieter Vermeersch”, Galerie Perrotin (Hong Kong), July-August 2015.

“Stéfane Perraud: On the outskirts of the valley”, Galerie de Roussan (Paris), May-July 2015.

“Stéfane Perraud : Aux abords de la vallée”, Galerie de Roussan (Paris), mai-juillet 2015.

“Park Seo-Bo: Ecriture”, Galerie Perrotin (New York), May-July 2015; republished by Galerie Perrotin (Hong Kong), March-May 2016.

Websites

“Benjamin Sabatier: Be it yourself! What is it?”, www.ibk.fr, 2010.

“Benjamin Sabatier : Be it yourself ! Qu’est-ce que c’est ?”, www.ibk.fr, 2010.

“Grégory Chatonsky : L’invention de la destruction (Numeriscausa)”, www.paris-art.com, 2008.