Publications

Monographs & catalogues

“Perversions perverties : le carnavalesque, le congolesque“, in Jan Fabre : Folklore Sexuel Belge (2017-2018) Mer du Nord Sexuelle Belge (2018), cat. exp., Templon (Paris), à paraître.

“Perverted Perversions: The Carnivalesque, the Congolesque“, in Jan Fabre: Sexual Belgian Folklore (2017-2018) Sexual Belgian North Sea (2018) , exh. cat., Templon (Paris), forthcoming.

“Sous une peau abyssale“, in Pierre Ardouvin : Retour d’Abyssinie, cat. exp., Labanque (Béthune), à paraître.

“Under an Abyssal Skin“, in Pierre Ardouvin: Return from Abyssinia, Labanque (Béthune), exh. cat., forthcoming.

“Nous sommes des dieux et ferions bien d’y oeuvrer”, in Inventaire – Benjamin Sabatier – Inventaire, Jannink (Paris), à paraître.

“We are gods and might as well get used to it”, in Inventory – Benjamin Sabatier – Inventory, Jannink (Paris), forthcoming.

“Un entretien avec Amélie Bertrand”, in Violaine Boutet de Monvel, Clément Dirié, Pleased to meet you #2 – Amélie Bertrand, Semiose (Paris), 2016, pp. 4-11.

“Dislocation : vers une sémiotique figurative libérée”, in Michael Joyce, Violaine Boutet de Monvel, Pau Waelder, Nathalie Leleu, Jay Murphy, Capture – Grégory Chatonsky, HYX (Orléans), 2011, pp. 11-17.

La Multiplicité de l’espace dans l’oeuvre de Bill Viola (art vidéo), EUE (Saarbrücken), 2011, 112 p.

“Le Passage du texte à l’image vidéo”, in Alain Georges Leduc, Annabelle Ténèze, Camille Debrabant, Ludovic Recchia, Violaine Boutet de Monvel, Actes du Colloque – Ni tout à fait la même, ni tout à fait une autre, ÉSAL – Musée de l’Image (Épinal), 2010, pp. 34-40.

Print & online magazines

“Mika Rottenberg – Travail”, Esse arts + opinions (Montréal), no. 94, automne 2018.

“Mika Rottenberg – Labour”, Esse arts + opinions (Montreal), no. 94, Autumn 2018.

“Iván Argote: Deep Affection (Perrotin)”, Frieze (London), no. 197, September 2018.

“Syndrome Prouvost (chronique anti langue de bois)”, Mouvement (Paris), no. 96, juillet-août 2018, p. 113.

“Bouchra Khalili: Blackbboard (Jeu de Paume)”, www.aperture.org, July 2018.

“Agnès Varda: UNE CABANE DE CINÉMA: La serre du Bonheur (Nathalie Obadia)”,  in ArtReview (London), vol. 70 no. 5, Summer 2018.

“Tarik Kiswanson: Come, come, come of age (Fondation d’entreprise Ricard)”, www.frieze.com, April 2018; republished in Frieze (London), no. 195, May 2018, p. 209.

“Maria Thereza Alves: Seeds of Change – New York: A Botany of Colonization (Michel Rein)”,  in ArtReview (London), vol. 70 no. 3, April 2018, p. 85.

“David Goldblatt (Centre Pompidou)”, www.aperture.org, March 2018.

“Sophie Calle: Beau doublé, Monsieur le marquis! (Musée de la Chasse)”, ArtReview (London), vol. 70 no. 2, March 2018, p. 94.

“Around Town: Ryoji Ikeda, Heimo Zobernig, Marianne Mispelaëre, Petrit Halilaj, Tadashi Kawamata (Paris)”, www.frieze.com, January 2018; republished in Frieze (London), no. 193, March 2018, p. 194.

“Miriam Cahn: devoir-aimer (Jocelyn Wolff)”, ArtReview (London), vol. 69 no. 6, September 2017, p. 125.

“Ulla von Brandenburg: Two Times Seven (Art: Concept)”, ArtReview (London), vol. 69 no. 5, Summer 2017, p. 113.

“Jesse Darling: Armes Blanches (Sultana)”, ArtReview (London), vol. 69 no. 4, May 2017, p. 104.

“Jean-Luc Moulène: Ce fut une belle journée (Chantal Crousel)”, ArtReview (London), vol. 69 no. 2, March 2017, p. 99.

“Mika Rottenberg (Palais de Tokyo)”, ArtReview (London), vol. 68 no. 7, October 2016, p. 122.

Pure Fiction (Marian Goodman)”, ArtReview (London), vol. 68 no. 6, September 2016, p. 120.

“Mungo Thomson: Why Does the World Exist? (Frank Elbaz)”, ArtReview (London), vol. 68 no. 5, Summer 2016, p. 126.

“Daniel Dezeuze: Tableaux-valises et dessins (Daniel Templon)”, ArtReview (London), vol. 68 no. 2, March 2016, p. 103; republished in 50 Years – Galerie Daniel Templon, Daniel Templon (Paris), 2016, p. 918.

“Roman Signer: Sculptures (Art: Concept)”, ArtReview (London), vol. 68 no. 1, January-February 2016, p. 136.

“Imran Qureshi: Idea of Landscape (Thaddaeus Ropac)”, ArtReview (London), vol. 67 no. 9, December 2015, p. 111.

“Julien Prévieux, Francisco Sobrino, Raphaël Zarka (Jousse Entreprise)”, ArtReview (London), vol. 67 no. 6, September 2015, p. 142.

For Real (Kamel Mennour)”, ArtReview (London), vol. 67 no. 5, Summer 2015, p. 128.

“Takis: Champs magnétiques (Palais de Tokyo)”, Art Papers (Atlanta), vol. 39 no. 3, May-June 2015, p. 61.

“Gonzalo Lebrija: Unfolded (Laurent Godin)”, ArtReview (London), vol. 67 no. 4, May 2015, p. 149.

“Mathieu Mercier: Sexe, béatitude et logique comptable (mcf-michèle didier)”, ArtReview (London), vol. 67 no. 3, April 2015, p.105.

“Laurent Grasso: Soleil Double (Perrotin)”, ArtReview Asia (London), vol. 3 no. 1, Spring 2015, p. 102.

“Enrique Ramírez: Los durmientes (Palais de Tokyo)”, ArtReview (London), vol. 67 no. 1, January-February 2015, p. 147.

“In Search of Lost Time: The Little Madeleines of Latifa Echakhch“, ArtReview (London), vol. 66 no. 7, October 2014, pp. 98-103.

“Hiroshi Sugimoto: Aujourd’hui, le monde est mort [Lost Human Genetic Archive] (Palais de Tokyo)”, ArtReview Asia (London), vol. 2 no. 2, Autumn-Winter 2014, p. 105.

“Festival International d’Art de Toulouse”, ArtReview (London), vol. 66 no. 6, September 2014, p. 190.

“Benjamin Sabatier: Storage (Jousse Entreprise)”, ArtReview (London), vol. 66 no. 5, Summer 2014, p. 166.

“Bill Viola (Grand Palais)”, ArtReview (London), vol. 66 no. 4, May 2014, p. 111.

“Sarkis: Au commencement le blanc (Nathalie Obadia)”, ArtReview (London), vol. 66 no. 3, April 2014, p. 127.

“Morgane Tschiember: Polystyrene, Shibari & Co. (Loevenbruck)”, ArtReview (London), vol. 66 no. 2, March 2014, p. 136.

“Carsten Höller: With (Air de Paris)”, ArtReview (London), no. 70, September 2013, p. 163.

“Closure of Jérôme de Noirmont Galerie, and beyond”, ArtReview (London), no. 69, Summer 2013, p. 149.

“Marjane Satrapi: Peintures (Jérôme de Noirmont)”, ArtReview (London), no. 68, May 2013, pp. 122-123.

“Julie Mehretu: Mind Breath and Beat Drawings (Marian Goodman)”, ArtReview (London), no. 67, April 2013, pp. 150-151.

“Paul Kos: Allegories and Metaphors (Georges-Philippe & Nathalie Vallois)”, ArtReview (London), no. 66, March 2013, pp. 152-153.

“Laurent Grasso: Uraniborg (Jeu de Paume)”, ArtReview (London), no. 62, October 2012, pp. 168-169.

“Haim Steinbach: Navy Legacy (Laurent Godin)”, ArtReview (London), no. 60, Summer 2012, pp. 148-149.

“Michel Blazy: Débordement Domestique (Art: Concept)”, ArtReview (London), no. 59, May 2012, pp. 130-131.

“Tadashi Kawamata: Under the Water (Kamel Mennour)”, ArtReview (London), no. 58, April 2012, pp. 118-119.

“Stefan Brüggemann: Joke and Definition Paintings (Yvon Lambert)”, ArtReview (London), no. 57, March 2012, pp. 128-129.

“Arnulf Rainer: Surpeintures (Maison de Victor Hugo)”, ArtReview (London), no. 56, January-February 2012, pp. 130-131.

“Robin Meier & Ali Momeni: The Tragedy of the Commons (Palais de Tokyo)”, ArtReview (London), no. 53, October 2011, pp. 146-148.

“Seth Price: Miam! (Chantal Crousel)”, ArtReview (London), no. 51, Summer 2011, p. 170.

“L’Art numérique dans le marché de l’art contemporain”, Digitalarti (Paris), no. 6, printemps 2011, pp. 28-29.

“Digital Art in the Contemporary Art Market”, Digitalarti (Paris), no. 6, Spring 2011, pp. 28-29.

“Eija-Liisa Ahtila: The Annunciation (Marian Goodman)”, ArtReview (London), no. 48, March 2011, p. 136.

“Jacques Perconte, the Digital Image, and the Sublime”, Digitalarti (Paris), no. 2, Spring 2010, pp. 26-27.

“Stéfane Perraud: Sic Vita (Numeriscausa)”, ArtReview (London), no. 35, October 2009, p. 140.

“Lionel Estève: How to Lie (Perrotin)”, ArtReview (London), no. 33, Summer 2009, p. 140.

“François Morellet: Deep Dark Light Blue and Neons by Accident (Kamel Mennour)”, ArtReview (London), no. 32, May 2009, p. 127.

“Interview with Dan Graham: Being and Nothingness”, Flash Art (Milan), no. 265, March-April 2009, pp. 56-59.

“Raymond Depardon & Paul Virilio: Terre Natale (Fondation Cartier)”, ArtReview (London), no. 30, March 2009, p. 141.

“Virginie Yassef: La seconde est partie la première (Jeu de Paume)”, Flash Art (Milan), no. 262, October 2008, p. 139.

“Reena Spaulings: Courbet Your Enthusiasm (Chantal Crousel)”, ArtReview (London), no. 26, October 2008, p. 165.

“Jörg Lozek: Im Zimmer (Daniel Templon)”, ArtReview (London), no. 25, September 2008, p. 151.

“Uwe Henneken: Légion Troublée (Almine Rech)”, ArtReview (London), no. 24, July-August 2008, p. 136.

“Tatiana Trouvé: A Rock and a Hard Place”, ArtReview (London), no. 23, June 2008, pp. 96-101.

“Maïder Fortuné: Whispering in Distant Chambers (Martine Aboucaya)”, ArtReview (London), no. 23, June 2008, p. 159.

“Iván Navarro: Antifurniture (Daniel Templon)”, ArtReview (London), no. 22, May 2008, p. 144; republished in 50 Years – Galerie Daniel Templon, Daniel Templon (Paris), 2016, p. 743.

“Grégory Chatonsky : L’invention de la destruction (Numeriscausa)”, www.paris-art.com, April 2008.

“Gérard Garouste: La Bourgogne, la famille et l’eau tiède (Daniel Templon)”, Flash Art (Milan), no. 259, March-April 2008, pp. 138-139; republished in 50 Years – Galerie Daniel Templon, Daniel Templon (Paris), 2016, p. 740.

“Tacita Dean : Human Treasure (Marian Goodman)”, Artpress (Paris), no. 340, décembre 2007, p. 86.

“Interview with Dan Graham: Minimalism Against Minimalism”, Esse arts + opinions (Montreal), no. 61, Autumn 2007, pp. 46-53.

“Promenade à New York (Chelsea, Midtown, Upper East Side)”, Artpress (Paris), no. 333, avril 2007, pp. 78-79.

“Promenade à New York (Midtown)”, Artpress (Paris), no. 331, février 2007, pp. 79-80.

“Anri Sala : Long Sorrow (Chantal Crousel)”, Artpress (Paris), no. 326, septembre 2006, pp. 82-83.

Exhibition brochures

“Paul Kos : Paysages cinétiques”, Georges-Philippe & Nathalie Vallois (Paris), janvier-mars 2018.

“Paul Kos: Kinetic Landscapes”, Georges-Philippe & Nathalie Vallois (Paris), January-March 2018.

“Jens Fänge: Sister Feelings”, Perrotin (Hong Kong), January-March 2017.

“Erró : Peintures de 1959 à 2016”, Perrotin (New York), mars-avril 2016.

“Erró: Paintings from 1959 to 2016”, Perrotin (New York), March-April 2016.

“Chung Chang-Sup: Meditation”, Perrotin (New York), November-December 2015.

“Hernan Bas : Fruits et fleurs”, Perrotin (Paris), octobre-décembre 2015.

“Hernan Bas: Fruits and Flowers”, Perrotin (Paris), October-December 2015.

“Daniel Arsham: Fictional Archeology”, Perrotin (Hong Kong), September-October 2015.

“Pieter Vermeersch”, Perrotin (Hong Kong), July-August 2015.

“Stéfane Perraud : Aux abords de la vallée”, de Roussan (Paris), mai-juillet 2015.

“Stéfane Perraud: On the outskirts of the valley”, de Roussan (Paris), May-July 2015.

“Park Seo-Bo: Ecriture”, Perrotin (New York), May-July 2015; republished by Perrotin (Hong Kong), March-May 2016.

Personal websites

“Benjamin Sabatier : Be it yourself ! Qu’est-ce que c’est ?”, www.ibk.fr, 2010.

“Benjamin Sabatier: Be it yourself! What is it?”, www.ibk.fr, 2010.