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Art as noise magnification: a recursive approach to aesthetics between chaos and collapse
Paper at the Machine Visual Culture x Cambridge Digital humanities, workshop, University of Cambridge, King’s College, Audit Room, 26 January 2026, 13:30-16:00.
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Temporalities of AI
Call for papers (deadline 2 February 2026), international conference co-organised with Alessandro Trevisan, Eryk Salvaggio, Leonardo Impett, Bibliotheca Hertziana – Max Planck Institute for Art History, 20-21 April 2026.
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Vision as Collapse: A Typology of Recursive Forms from the Avant-Gardes to Generative AI
Critical AI Seminar, Bibliotheca Hertziana – Max Planck Institute for Art History, Sitzungssaal, 22 September 2025, 15:00-17:00.
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From Video Feedback to Generative AI: On Recursivity in the Arts and Media
PhD abstract included in the Leonardo Abstracts Service (LAS), a peer-reviewed annual selection published online by Leonardo, MIT Press (Cambridge, MA, USA), September 2025.
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De l’image moyenne à la singularité générique : la marge d’indétermination humaine de l’IA
Communication dans le cadre de la journée d’étude IA et création : encoder, décoder, surcoder, Université Paris 1 Panthéon-Sorbonne, Amphithéâtre Bachelard, 13 juin 2025, 17h30-18h10.